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العنوان
تأثير الاتجاه الميتافيزيقى على التصوير الجدارى المعاصر /
المؤلف
ضرغام, دينا يسرى سليمان.
هيئة الاعداد
باحث / دينا يسرى سليمان ضرغام
مشرف / صبرى محمد منصور
مشرف / نرمين فتحى المصرى
مشرف / نرمين فتحى المصرى
الموضوع
التصوير. التصوير-التأثيرات الخاصة.
تاريخ النشر
2014.
عدد الصفحات
252 ص. :
اللغة
العربية
الدرجة
الدكتوراه
التخصص
تربية فنية
تاريخ الإجازة
1/1/2014
مكان الإجازة
جامعة المنصورة - كلية الفنون الجميلة - قسم التصوير
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

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المستخلص

The research study of the concept of metaphysics , where the subject search in the beginning of the origin of the word metaphysics and the origins of this term in philosophically from the definition of Aristotle’s term since ancient times and the end of its origins in the modern era.That has reported metaphysics artistic movements progressive in the twentieth century in terms of interest objective substance and essence of things , without adhering to manifestations of things and forms surface has been able art that achieved by prompting him plato in his philosophy in terms of expression of the essence . features painting parietal metaphysical and its relationship to architecture Gothic in the familiar form in many catheadrals and palaces during the Renaissance and this influence of Italian artist “ Giorgio De Chirico.Imaging parietal metaphysical contemporary study of works art mural contemporary reference to the factors in building composition metaphysical with the concept art elements of help in building configured , including : nature and its role in the development of metaphysical thought , the attractiveness of the unknown , the concept of emptiness and avatar and its relationship with supernatural . And the impact of this feature of attributes the trend metaphysical in Egyptian contemporary mural paintings and the experience of the researcher .