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العنوان
الذات والآخر في شعر أحمد مطر :
المؤلف
عبيس, نعمة زغير.
هيئة الاعداد
باحث / نعمة زغير عبيس
مشرف / سمير السعيد حسون
مناقش / أحمد حسين عبدالحليم سعفان
مناقش / محمد سيد أحمد ربيع
الموضوع
الشعر العربي - تاريخ ونقد. الشعر - فلسفة. الفلسفة في الشعر العربي.
تاريخ النشر
2016.
عدد الصفحات
350 ص. :
اللغة
العربية
الدرجة
الدكتوراه
التخصص
المناهج وطرق تدريس اللغة العربية
تاريخ الإجازة
01/01/2016
مكان الإجازة
جامعة المنصورة - كلية الآداب - قسم اللغة العربية
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

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المستخلص

The study is divided into five chapters as follows: CHAPTER I came this chapter titled self-addressed poems biography and poems Alihuarriet poems narrative poems Commandments through self-disclosure rebel-contained fan when Ahmed Matar, and divided the first chapter to the four sections is the first topic poems CV The second section poems Alihuarriet third section It is based upon the poems of the tale and the fourth section poems commandments. It is what we see fresh in banners Ahmed Matar texts offered for his life, where we find that these banners tells his observations of the events that took place on him and his community and these forms of building all of which involve the so-called autobiographical. It is the likes of these memories or CV banners, in which self-attend shows or (ego) and clear through the intensification of phrases and brevity of words, and it is a form of manifestation of the ego in the text its example banner ((lost)) and (aphasia a free), in which the poet declares the disappearance of (the same), and the lack of voice and decides to go to the doctor saying in the ( a free aphasia). Chapter II: The other has revealed Find irony through irony, paradox Alphentazah, dramatic irony, and is divided into the second chapter is divided into three sections: the first topic .mufarqh sarcastic. The second topic irony Alphentazah third section is based upon the irony dramatic, human remains and around the more things controversy and contradiction says (and the man was more than anything controversial) and take a paradox style cynicism to produce laughter, Valschrih social weapon intended to criticism and reform, critics say the laughter is often a tool of expression meaning to hide the cash behind the apparent surface, and thus Valschrih does not only ironic, irony and ridicule her condition to be a tool and a way to show the creator of what he wants in a cynical expression and create antagonism and contradiction motive for ridicule. Chapter III: The poetic image has revealed the search for how to search for how to portray the poet of the self and the other through Ylaat imaging revealing the sources of image and patterns. Perhaps the fact that the approach to work intentional engineering and mass utilitarian in architecture and the fact that it applies and whether or not the (architecture poem) in which the consideration and needs to reflect on while there is no difference among some of student between the composition and rhythm,(as a sequence of stimuli). Poet Salah Abdul Saboor and finds that the word (formation) more accurate in cash usage of the word (architecture) The formation of the panel is (Ward comes to self Vtaathrk by hand as described Ward poem) have tried to link the poem image in the technical formation known as the Fine arts beautiful, especially The art of voting. Chapter IV deals with intertextuality in the poetry of Ahmad Matar revealing the role of intertextuality and the symbol in the production of the significance of poetry has .oaaraf intertextuality that (mutual effectiveness between the texts, and calls Julia christefa that (a fundamental law, since the texts are manufactured through absorption, and at the same time, the demolition of texts other space overlapping text and can express it as correlations symmetrical nature of my speech, however Valtnas does not mean annexation of texts and evidence by side each with each other only, but it works to be entered in a web of living relationships that bind the various Aloushaj particular culture or different cultures, and so it becomes intertextuality in the broad concept version of the switch formats, including the subsequent generation of a new sculpture in the wording or the drafting of the text. Chapter five deals with stylistic phenomena in the poetry of Ahmad Matar, whether rhetorical or rhythmic or rhetorical or synthetic. It examines Aloslobion introduction delays and their destination disclose its aesthetic value and semantic in a literary work, and can be defined as a reverse for the installation of talk-Qaeda, to earn a poetic text ability to exact expression, and imaging influential and creative excellence, .oatsal presentation style and delays studied compositions, and this has been associated with language issues the nature of rhetoric, as related rhetoric issues based on the phenomenon of chaos of ready-made templates, since every change in words sites can lead to a change in the technical and semantic level of expression, technology comprises a presentation and delays cause a change in the composition structure on according to the rules of rounding to achieve a particular purpose, every modification of the order of the words system installation. ihdt change in meaning, raises in the same recipient types of the elements of surprise because of its psychological dimensions and intellectual. it is creating a professional fun aimed at creating awareness through aesthetic outstanding performance, and perhaps the most important Maihsp poet Ahmed Matar own language that created by the hand of his poems are various, and this exclusivity did not stem from a vacuum, the poet has set itself a clear vision about the nature of poetry and language, fun and beauty guarantee the ease of communication and interaction between the poet and the receiver was able to Ahmed Matar that gives the poem drafting new put all Maaanute of contradiction and bitter at the center of attention and feeling, pushing the receiver to stand in front of this fact with astonishment that shipped awareness and anger in his heart and his mind.