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العنوان
شعر عزت الطيري :
المؤلف
محمد, إسماعيل محمود إبراهيم.
هيئة الاعداد
باحث / إسماعيل محمود إبراهيم محمد
مشرف / محمد أبو الفضل بدران
مشرف / ثابت محمود هاشم
مشرف / فريد عبد الظاهر سعيد
الموضوع
الشعر العربي الحديث.
تاريخ النشر
2015.
عدد الصفحات
310 ص. ؛
اللغة
العربية
الدرجة
ماجستير
التخصص
اللغة واللسانيات
الناشر
تاريخ الإجازة
1/1/2015
مكان الإجازة
جامعه جنوب الوادى - كلية الآداب - اللغة العربية
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

from 315

from 315

المستخلص

I start my research with an introduction to the poet in which I briefly talked about him
and the influence of the environment on his poetry, and the poetic school he belonged
to. Then I divided my research into two main categories each one contains several
chapters. The objective elements in the first category:
Chapter one: Philandering in Al Tairy’s poetry.
Chapter two: Compliment, blame and longing.
Chapter three: Description.
Chapter four: Elegy.
Chapter five: Humor and sarcasm.
Chapter six: Social poetry.
Chapter seven: National (epic) poetry.
Chapter eight: meditation and philosophical poetry.
The second category was about the technical analysis; I divided it into several
chapters:
Chapter one: Fiction and artistic image in which I talked about the image from legacy
like similar and metaphorical images. I followed that by talking about the suitable
images which represent the sprit of the age such as symbolic, sensual and radial
images.
Chapter two: I talked about the language of the poet through words and structures and
the linguistic phenomena which are obvious in his poetry and some of linguistic
mistakes which he committed. After that I talked about his own style in the
construction of the poem which I thought enough to avoid useless repetition.
Chapter three: in this chapter I talked about intertextuality in Al- Tairy’s poetry from
the holly Qura’n and the purified sunnah, and also from the soffy heritage, religious,
popular and mythical legacy.
Chapter four: this is about the dramatic construction in Al-Tairy’s poetry by comparing
it to story and play. That was obvious in the internal and external dialogs
in his poetry, the mask, the poems in story and the poems in prose.
Chapter five: in this chapter I talked about music in Al-Tairy’s poetry with its two
kinds external as rhyme and rhythm and internal as repetition, homophone,
comparison and contrast.
Chapter six in which I talked about the poet in the measure of criticism by
documenting all the opinions of the critics about his poetry. Finally I prepared a list of
sources and references and conclusion contained the results which I got from my
research in Al-Tairy’s poetry and some recommendations which I intended to say, then
I made an index of subjects.
Allah is the guide in whom we put our trust