الفهرس 
المقدمةيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
This study aims to provide a cultural reading of the body’s speech in the biography of the princess of vigor. The researcher chose this color of the art of folk creativity to monitor the body and his speeches.Research has taken the cultural approach as a mechanism for analysis. Cultural analysis focused on the fact that the body has flourished and produced a suitable conceptual dictionary. Cinematography was not in isolation from this effect, so she began trying to build the concept of the body and absorb the dimensions within her theory, so the researcher benefited from the semiotic grants.The aim of this study is to set goals, the first of which is to subject the text of the biography to be analyzed in accordance with modern critical methods. The second is the disclosure of the values of harmony embedded in the Arab mind that deliberately contributed to the obstruction of the female body and its social presence and longitudinally.Thirdly, the heroic body that occupied the Arab mind and the tribes became proud of its presence on the face is the same that envy him envy and try to hinder his career despite the need for it. Fourth, there is a relationship between the human body and the animal that provides an ideological discourse that the message attempts to read in the light of cultural criticism. The protector readers of the relationship between the body and place and his speeches, as well as reading clothes as the body space and signs and signs to reveal a stock of value and intellectual, especially the cavalry costume, which revealed the patriarchal society in the imposition of the disappearance of heroines in the uniform of men and did not try the Arab mind to provide a special perception of the dress of the knights. The difficulties of research, the first is the magnitude of this curriculum. The second is the lack of studies that dealt with the speech of the flesh in the popular biographies, which makes an element of excellence for research. This Thesis includes four chapters, the first deals with the body of the conspirator and the fraudster, the second deals with the rebellious body and the conspiracy that took place around the female heroic rebellious body and how it was performed and physically and socially.