الفهرس 
المقدمة البحثيةيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
Humanity has recently witnessed a number of great scientific wealth and technological breakthroughs, which raised the amount of research and attention paid to the basic reasons of such innovations. Thought and creativity were very important as they were the key to igniting such an intellectual fuse, whose bright light illuminated many areas that were previously unknown. Thought is the only way to make mankind more aware and have deeper understanding of what surrounds him. There are many great achievements that stemed ideas, which jumped mankind high walls of intellectual stalemate, and broke all the restrictions and barriers. This intellectual overcrowding and the dramatic acceleration in changing the image of social life following the successive creative ideas is a clear proof of the vitality of the new ideas. Innovation is almost the strategic scenario of world domination by supporting and encouraging creative ideas. On the other hand, since ancient times humans have always resorted to nature to look for scientific theories and equations linking the relations of nature with each other in harmony, diversity and despite the difference of which they are made of and this creates an ideal form & atmosphere. Architecture is an aesthetic art aimed at comforting mankind and his harmony with the void that exists at all levels of his life. This is evident in the geometry of nature and its impact on architecture. Consequently, the subject of this research deals with the study of the methodology of creative thought in the design process and the identification of creative strategies, the study of the principles of life and the principles of nature, and the study of the concept of simulation of nature and determine the methodology of simulated designs and their plastic properties. Accordingly, the research was divided into four chapters with the introduction as follows: The introduction aims to present the research problem and research questions that led to the selection of this particular topic, with the presentation of the research methodology and structure of the research. The first chapter dealt with the integration of these concepts of thought and creativity in the design
process within a structured intellectual context and determined by creative strategies, while the second chapter dealt with the concept of simulation of nature and determine the design methodology for simulated designs. Complementing the effect of nature simulation on architectural formation, the third chapter dealt with the philosophical theories of nature simulation architecture, illustrating the plastic properties of simulation designs, and the architectural trends resulting from the plastic simulation of nature. To illustrate the role of creative strategies in the simulated architecture of nature, the fourth chapter examines and analyzes a number of models of buildings inspired by nature, as an analysis of the reality created by creative strategies on architectural simulations of nature, according to the design standards and simulation characteristics of nature. Finally, the results and recommendations dealt with the presentation of a set of intellectual and practical results reached by the research during the previous chapters, in addition to the presentation of research contributions and general recommendations for development and issues that can be addressed for the development of this field.