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العنوان
شركة ستوديو مصر 1935-1961 /
المؤلف
زيدان، ريهام نصر عبد الرحمن محمد.
هيئة الاعداد
باحث / ريهام نصر عبد الرحمن محمد زيدان
مشرف / خالد عيد الناغية
مناقش / مصطفى الغريب
مناقش / خالد عيد الناغية
تاريخ النشر
2021.
عدد الصفحات
225 ص. ؛
اللغة
العربية
الدرجة
الدكتوراه
التخصص
التاريخ
تاريخ الإجازة
1/1/2021
مكان الإجازة
جامعة بنها - كلية الاداب - التاريخ
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

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المستخلص

The reason for choosing the subject of study is due to its importance, as I have not previously studied that I have been subject to a historical curriculum that pain in various aspects, there are writings that passed during that period, but it did not fulfill its right, so Studio Misr was not satisfied with producing cinematic films only, but its productions varied to include the Misr Film Newspaper and films The news, in addition to filming and distributing films for various Egyptian and international companies. The study includes four chapters, in addition to the introduction and conclusion, and the preface refers to the emergence of cinema in Egypt and the exclusivity of foreigners in it, the emergence of the Egypt Teatro and Cinema Company, and Egyptian studios before the emergence of Studio Masr. Under the title ”The Origins and Activity of Studio Misr 1935-1939” came the first chapter, and it included the emergence of Studio Masr, the missions sent by the studio, a description of the studio, its most important activities during the mentioned period, and the newspaper Masr Al-Speaking. As for the second chapter, it is titled ”Studio Misr during World War II 1939-1945”, to monitor the impact of the war on the cinema industry in Egypt, Studio Egypt and the war, monitor the films of Studio Masr during the war period, and an artistic analysis of the most prominent films of Studio Misr in that period, as well as It deals with the graphic war newspaper, the studio’s documentary films, and a monitoring of the technical development of the studio, as well as the economic situation inside Studio Misr during the war period. Under the title ”Studio Misr and the Post-World War II period 1945-1952”, the third chapter came, dealing with Egyptian cinema in the post-war period, the films produced by Studio Masr in that period, an artistic analysis of the most prominent films of Studio Masr, and the economic situation within Studio Masr.