Search In this Thesis
   Search In this Thesis  
العنوان
الفن التفاعلى والإفادة منه في استحداث تصميمات زخرفيه في ضوء فن الاوريغامى/
المؤلف
حسين، ماجدة احمد مصطفى.
هيئة الاعداد
باحث / ماجدة احمد مصطفى حسين
مشرف / وجدي رفعت نخاة
مشرف / حنا حبيب رمله
مشرف / محمد جلال
الموضوع
الفن الزخروفى.
تاريخ النشر
20022
عدد الصفحات
90.ض :
اللغة
العربية
الدرجة
ماجستير
التخصص
تربية فنية
الناشر
تاريخ الإجازة
7/8/2022
مكان الإجازة
جامعة أسيوط - كلية التربية النوعية - تربية فنية
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

from 170

from 170

المستخلص

Summary
Art is the human production that expresses the emotion of its producer towards existence and his attitude towards it in an organized and intentional manner that evokes in its recipient the emotion and attitude raised by existence in its product, and the practical arts and fine arts are equal in that. Or his brush, which is a feature required of the recipient to be aware of what he sees, reads or hears, and adds to his experiences and observations the experiences and observations of others, and then to adopt his attitudes and emotions on the basis of what he has already interacted with and strength. It has values, dynamic action, the environment or the surrounding space is more important, and interaction is a language of communication, hence the research problem appeared:
The field of decorative design is concerned with the aesthetic aspect without activating the full interaction by the viewer and the artwork. The study noted the plastic possibilities that the interactive artwork contains, and the art of origami and the possibility of modification and repetition in the artwork is an entry point for creating decorative designs through the wide possibilities of paper folding. Which allows creating an intellectual and material dialogue between the recipient and the artwork.
The study included five chapters as follows:
Chapter One: Research Plan
It included the background of the research, its problem, study objectives, hypothesis, importance, methodology, the most important terms, studies and research related to the study.
Chapter 2: Interactive art between concept and content
It included the concept of effectiveness linguistically and idiomatically and interactive in some studies and interaction in art and the genesis and history of interactive art.
Chapter Three: The Art of Origami
Which dealt with the art of origami idiomatically, its origin and its entry into the Arab world, its most important basics, the tools used in folding and its most important symbols, the raw materials used in the field of origami (paper, fabric, wood, metal), the most important types and some artworks in this field
Chapter Four: Plastic and aesthetic analysis of interactive art and origami art
This chapter dealt with the design principles used to show the aesthetics of interactive art (movement, repetition, rhythm) and the most important elements used to show interaction in design (line, shape, color, light).
Chapter Five: Self-applied practices of the study
A number of nine applications were applied, then a measurement and evaluation of the applications was carried out, and then the results, recommendations and references used in the study were shed light.