الفهرس 
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Abstract
The present technical study is to investigate and analyse Ian McEwan’s fiction making and narrative manipulation via a critical investigation concerning the unmistakable impacts of Modernism and Postmodernism within the scope of some selected works of fiction by McEwan. As a professional stylist, McEwan tends to employ a number of narrative techniques in order not only to tell his stories, sketch the characters and create the atmosphere but also to captivate his readers and make them think and rethink about themselves, the reality of their own being and the world all around them. The study focuses and elaborates on McEwan’s novels Enduring Love (1997), Atonement (2001) and Sweet Tooth (2012). These major works of fiction are dealt with as study cases as well as a cross section of McEwan’s literary production. It is highly necessary to stress the idea that the present thesis neither traces, explores McEwan’s development as a novelist, nor does it cover all of his literary production. In other words, the thesis is just a humble attempt to shed fresh light on McEwan’s fiction making and narrative construction in addition to the adopted process and the end product.