الفهرس 
فن التصوير بالطباعة خالل العصر القاجاري في ضوء خطوط الشاهنامه : دراسة أثرية فنية
ملخصيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
The art of illustrated lithographic is a form of painting that has been
practiced in Iran since the thirties of the 13th century AH / 19 AD. The art
of illustrated lithographic represented a mediator between the traditional
miniatures in traditional manuscripts and the more common forms of
creative expression such as painting on ceramic tiles, painting on glass or
paintings of cafes (naqqih qahwah khaneh).
This study deals with the art of illustrated lithographic in Iran during
the Qajar era in the light of one of the most important Persian books ever,
the book Shahnameh Ferdowsi. Five illustrated editions were produced in
Iran during the Qajar era during the rule of the Qajar dynasty in Iran. This
study dealt with four publications Among them, they are arranged as
follows: It is the Shahnameh of Tehran, which was printed in the period
between 1265 - 1267 AH / 1848 - 1850 AD, which represents the first
Iranian lithographic version of the Shahnameh, and the Shahnameh of
Tabriz, which was printed in the year 1275 AH / 1859 AD, which
represents the second illustrated lithographic edition of Iran , and the first
illustrated lithographic edition printed in the city of Tabriz, home and
printing facility in Iran, the Shahnameh of Tehran, which was printed in
the year 1307 AH / 1889 AD, and the Shahnameh of Tehran (1319 - 1926
AH / 1901 - 1908 AD), which was produced under the patronage of one of
the most important men of the Qajar court, Husayn Pasha Khan Amir
Bahadur Minister of War, so it was known as Shahnameh Bahadri after
him.
This study was divided into two volumes, the first volume was
devoted to the text, which included an introduction explaining the
importance of the subject, the reasons for its selection, the problematic of
the research and its difficulties, and previous studies, followed by a prelude
to the historical era to which the illustrated versions of the print refer to the
subject of the study, and this was followed by the first chapter on the
descriptive study of the copies of the Shahnameh’s publications. illustrated
by lithography, then the second chapter that I devoted to the analytical
study of the images of these publications, their characteristics and technical
characteristics and the most important photographers, then a conclusion
that includes the most important findings of the study, followed by a list of
sources and references on which the study relied, while the second volume
of this study included a catalog Paintings and shapes.