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Abstract This thesis discusses the centre of Yoni Morrison’s narrative art. Many of the critical essays on Toni Norrison’s fiction focuses on cultural critique. Few scholars have moved beyond the view that Morrison’s fiction is a ciritque of twentieth-century American culture vis-a vis African- Americans. Even the most recent studies of Morrison’s work continue to stress content and theme rather than process and artistic atrargies. And most studies examine her fiction in relation to the works of other African-American women writers. Because of the breadth and depth of her vision, Morrison deserves many crirical studies to cover her works adequately. |