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العنوان
شعر شمس الدين الشيرازى :
المؤلف
النجار, إيمان محمد محمد مرسي.
هيئة الاعداد
باحث / إيمان محمد محمد مرسي النجار
مشرف / محمد زغلول سلام.
مناقش / محمد زغلول سلام.
مناقش / محمد زغلول سلام.
الموضوع
الشعراء العرب.
تاريخ النشر
1998.
عدد الصفحات
290ص. :
اللغة
العربية
الدرجة
الدكتوراه
التخصص
الأدب والنظرية الأدبية
تاريخ الإجازة
1/1/1998
مكان الإجازة
جامعة بنها - كلية الاداب - لغة عربية
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

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المستخلص

Poetry of sham EI Dien EI Sherazy the fifth century AH.
” Introduction:
1- The era of EI Sherazy the fifth century AH.
a) Political life (circumstances).
b) The era of AI Mostanser ”427 AH - 487AH”.
c) EI Sherazy in Persia ”390 AH-438 AH”
d) EI Sherazy in Egypt ”438 AH - 470 AH).
e) Distingusihing elements of poetry between the issues of the era and
its thoughts.
” Chapter One:
The Topics of his poetry.
(1) Praise:
1- The prophet’s praise.
2- The phatimi religious heads.
3- The praise of AI Mostanser.
4- The praise of king Al Boehy.
5- The major charecteristics of praise.
,
}~
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2- Love:
The major chera teristics of love poetry.
3- Mourning and lamenting:
-Mourning of the Phatimi religious heads.
- The poet’s self mourning.
-2-
4- Pride aim poltry.
5- Insulting aim poetry.
6- The poet’s attitude towards nature and woman.
* Chapter two :
The distinguishing charecteristics of El Sherazy style in choosing
words and structures.
1- Singular words:
- Introduction.
- Poet’s diction.
- The Islamic diction.
- The scientific diction.
- The literary diction.
- Proper nouns meanings :
a) Proper Nouns refering to condumnation
b) Proper nouns refering to praise.
c) Proper nouns refering enjoyment to mention them.
d) City proper nOlU1S.
- Granunatical stmctures and their nuanings.
a) The subject fonnula.
b) The furthest plural formula.
- The religious element in EI Sherazy’s poetry.
a) Advencing and omitting.
- ”AI khabar” advancing (semi sentence).
- Singular ”khabar” advancing.
- 3-
- Omiting of the initial noun ”Mobtadaia”.
- Advancing of adverbial ”khabar”.
- Advancing of the verbal sentence.
b) Structures:
a) Parallel structure.
b) preponderance structure.
c) Opposite structure,
c) The language ofEI -Sherany between the originality and imitation.
* Chapter three:
Phonetic and Rhyming structure:
1- Introduction.
- The meter of poetry.
- EI Sherazy ”meter of poetry”.
- The emotion enfluence on the poetry-of El Sherazy.
- The rhyme forms in El Sherazy’s poetry.
- Specific letters in EI Sherazys poetry (Letters of Deliberation).
A- L
B-W
C-D
D-B
E- N
- Out of Rhyme.
- The disadvantages of his meter and Rhyme schemes.
- 4-
2- Music features in EI Sherazy’s poetry.
1- Euphemism music.
1- Similarity ”Alliteration”.
2- Adding similarity to the chest reply.
3- Dectaration.
- Repetition A musical beauty in EI Sherazy’s poetry.
1- Repetition in words.
2- Repetition in lines and sentences.
3- Repetition in letters.
* Chapter three:
(Imagery and poetic fiction).
- Introduction.
1- Sources of imagery in EI Sherazy’s poetry.
2- Elements of imagination in EI -Sherazy’s poetry.
1- Similar.
2- Metaphor.
3- Image quality.
1- Rhetoric images describing a psychological attitude.
2- Extended images.
3- Statement images.
Conclusion.